the haunting piccolo birdsong and soaring flute aria of the two “Air pour Zephire” (both solos passionately, immaculately played) - Boston Musical Intelligencer 11/23/10

Sarah Paysnick performed the prominent flute part with elegance, her tone creamy and consistent.  - Pamela Hickman’s Concert Critique Blog, March 2011

The best performance of the Hamburger Sonata I’ve ever heard. – CPEB: The Piano Quartets listener

Paysnick produces a beautifully tuned (and vibrato free) liquid tone. – Tom Moore, Early Music America, Spring 2014